Music Review – Tuface’s Unstoppable Album

Music success is indeed capricious. Tuface’s first and 2d albums Face to face (2004) and grass to grace (2006) began receiving big radio anatomy proper now they came out. The powerful awaited third album has finally been launched. It’s a gargantuan shock that about three weeks since it came out, the radio stations are hardly […]



Music success is indeed capricious. Tuface’s first and 2d albums Face to face (2004) and grass to grace (2006) began receiving big radio anatomy proper now they came out. The powerful awaited third album has finally been launched. It’s a gargantuan shock that about three weeks since it came out, the radio stations are hardly ever having fun with it with out reference to the collaboration with R-Kelly and the duo of Shakademous and Pliers.

Shimmering Tuface’s pedigree, I made a decision to put off a reproduction of the album, titled unstoppable as I handed through Terminus market the different day. After having fun with it, these are my findings:

The album is now not a fabricated from the work of a man who wants to be allowed to abilities the money he has made, as many divulge. The implication of that assertion is that money has made the artiste sluggish. The solo and 2d albums had ten and eleven tracks respectively, except for intro and outro. The most well liked album has seventeen except for the introduction and closing tracts, six tracks sooner than the 2d album, thereby rendering the critics tainted. Tuface has grown proper into a man. The most well liked album is moreover a salvage of the psychological commerce that accompanies maturity

In total the album is made up of danceable tracts which would maybe maybe well be an embodiment of the identical outdated Nigerian contemporary track model of laying native lyrical model on an instrumentation that is basically western. The numbers free, pako and take care of it appear to be addressing his deepest lifestyles experiences.

The collaboration with the Jamaican duo of Shakademous and Pliers and American R-Kelly actualized the artiste’s ambition of becoming the edifying Nigerian musician of all time. In the track so proud which aspects the Jamaicans on the different hand, the Caribbean artistes took a greater half of the duration so that it regarded he modified into the one being featured. Relating to flex (time to possess intercourse), R-Kelly perceived to be conserving support to steer decided of giving too powerful to a track that is now not his. Furthermore, we have to now not so permissive in Nigeria to the level of speaking about time to possess intercourse so freely.

By-and-neat on the different hand, the album is a masterpiece. It’s too early to narrate the album as a failed challenge. The duet with the arena class artistes has indeed confirmed him as Nigeria’s edifying of all time on the different hand.

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